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Review: Autrest – Burning Embers, Forgotten Wolves

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Review by Jeger

Autrest – Burning Embers, Forgotten Wolves

Record Label: Northern Silence Productions

Year: 2025

Rating: 8.5/10


What is the return on life’s eager investment? Never what you would think. For each individual, a bitter tale to be told; one of longing, of suffering and of hiding. But what of the Wolf? Beyond ancient is its spirit and beyond priceless is its reverence. A survivalist’s muse, a symbol of liberation where there’s none to be found. It’s the Wolves who change history, not the Sheep. It is the Wolves who are remembered, who are sanctified in this world of conformist weaklings. And it’s in their dwelling, the forests of yore where the heartbeat of our planet pulsates. If you take some time to really listen, you will still not hear it for the pollution of sound that wreaks its nerve-wracking havoc across the airwaves, but you will most certainly feel it – the essence of the Wolf. And for those who have felt it, little else matters, for what else is there to depend on at the end of the day than our own instincts? All else is illusion, and this truth has conceptualized many a brilliant Black Metal record.

 

Autrest is a Brazilian Atmospheric Black Metal project helmed by one Matheus Vidor. Vidor’s music is crafted in honor of the Scandinavian way: frigid, unforgiving and awe-inspiring as Scandinavia’s renowned Wilderness. The project was birthed in 2022 and in September of 2025, just as the Autumnal death grip began to cinch the land, Autrest released its sophomore LP, “Burning Embers, Forgotten Wolves” via Northern Silence Productions.

 

Matheus Vidor (Autrest)

 

As Aeons have passed and as Empires have been reduced to embers. Even as our greatest Heroes have become forlorn, the spirit remains and it happens to translate beautifully into the intro to “Ashes from the Burning Embers”, just before a gale-like rush of powerful Black Metal sweeps your consciousness: rallying blast-beats, thrusting guitar riffs and pure bass-heavy momentum driving forward through a piano-accented atmosphere of sheer enchantment. These are the reviews that are most difficult to write. It’s not the blatantly disturbing or the overtly anguished albums that get me; it’s the surgery of sound… The music penetrating with precision into every miserable crevice of my spirit; stirring up feelings of regret, of shame and of longing.

 

Following “Ashes from the Burning Embers”, you’ll encounter the subduing “Forgotten Wolves”. Deep, suffocated chants, barely discernible, yet how intrepidly do they stir up such raw emotion. Like the voices of Ancient Warriors echoing through the chambers of Castles staving off ruin. Still visible but long-dismissed as the fodder of yesteryear. But the Wolves remember. Unforgettable is each beyond somber passage; the white noise of all phases converged; somehow formulated into a rich conglomerate of melody and rhythm as the voices ache their soliloquy of memento mori. It feels like I’ve been listening to this album for an hour already. Substantial is the word, not a moment wasted or all moments wasted depending on your level of perception. One could argue that there is no need for an instrumental like “Where Stones Whisper”, that we’ve had enough atmosphere, but then how else could Autrest have ushered in the epic “Ruins of the Lost”? In all of its soaring melodious majesty? Treading the familiar BM pathway now, only enhanced with the Native Flute and driven upon plowing double-bass currents. Raising the flag for true Brazilian / Scandinavian-inspired Atmospheric Black Metal.

 

The depths that are dragged are only matched by the heights that are soared and everything in between? The stuff of early BM discovery; the rush of excitement having heard something you’ve always known what it was but could never describe until now. And it’s just as you imagined it! All powerful, all majestic and of the most artful nature. The moments that make up the closing track, “Chasm of Time” – helpless against its perpetual drag, vacuuming the years until all is left but what Nature had intended before Humanity’s blight. A musical ode to the undisputed power of time and its inevitability. Soon, only the spirit shall remain: the spirit and the memory of our Wolves – the ones who so boldly fought for and stood as testaments to the way of honor and the way of bravery – the ones whose fire was extinguished by the cold, lifeless grip of stagnation until nothing was left but what you see before you now; a soulless wasteland of all the worst facets of Humanity festering just before its extinction.

 

“Burning Embers, Forgotten Wolves” is Aeons of time somehow condensed into just over 40 minutes worth of runtime. It is the summation of thousands of years’ worth of polarizing existence, a final chapter in the doomsday story of Mankind. Some will call it taxing, others pretentious perhaps, but one fact remains – “Burning Embers, Forgotten Wolves” is an exercise in the trueness of Black Metal. Take it or leave it, fate still looms…

 


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